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[Áß°í] Effectrode - Photo-Compressor

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»óǰ¸í [Áß°í] Effectrode - Photo-Compressor
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Effectrode - Photo-Compressor

PC-2A¸ðµ¨Àº Àü¼³ÀÇ LA-2A studio compressor¸¦ ±âº»À¸·Î µåµð¾î ½ºÅè¹Ú½º ¸ðµ¨·Î Á¦À۵Ǿú½À´Ï´Ù.
VCA ĨÀ̳ª OPAMPµéÀÌ Çϳªµµ ¾øÀÌ ½Ã±×³ÎÀº 100% ¾Æ³¯·Î±× ¹æ½ÄÀ¸·Î Hand Selected photo-cell,polyester coupling capacitors, precision resistors (with silver/palladium contacts)µéÀ» »ç¿ëÇÏ¿´°í ¶ÇÇÑ NOS Æ©ºê¸¦ »ç¿ëµÇ¾ú°í Ư¼ö ±Ýµµ±Ý ¼­Å¶º¸µå¿¡ Á¤¹ÐÇÏ°Ô Á¦À۵Ǿú½À´Ï´Ù. ¾îÄí½ºÆ½±âŸ·Î´Â ÇÇ¿¡ÁÒÇȾ÷°¡µµ ±ÃÇÕÀÌ ÁÁ½À´Ï´Ù.

º»»çÀÇ tube technology·Î ºÎÅÍ Æä´Þ ÀåÂøµÇ¾îÀÖ´Â Æ©ºê´Â ¾ö°ÝÇÑ ±Ô°ÝÀ» ÃæÁ·Çϰí Àִµ¥¿ä ½ÉÇÑÃæ°Ý Á¶°Ç¿¡¼­µµ ±ä¼ö¸íÀ» À§ÇØ ¼³°èµÇ¾ú½À´Ï´Ù.  ÀÌ´Â Áøµ¿ 20,000G¿Í °í¿Â¿¡¼­µµ ÃæºÐÈ÷ °ßµô ¼ö ÀÖ½À´Ï´Ù.  Æ®·ç¹ÙÀÌÆÐ½º ÀÔ´Ï´Ù.

Users

  • Adrian Legg
  • Steve Rothery – Marillion
  • David Gilmour – Pink Floyd
  • Paul Turner – Jamiroquai
  • Frank Sullivan – Survivor
  • John Fairhurst
  • Richard Aitken – Nimrod Productions
  • Dee Ral – Go West, Louise, Eternal, Sholla Ama, Mica Paris, Phil Collins, Faith Hill, et al

Features

  • All Tube: 100% pure analog vacuum tube audio path operating at amp plate voltages ensures the PC-2A compressor has huge headroom and very quiet, natural sound reproduction. The result is a compressor that performs exceptionally well with electric, active bass, 12-string and acoustic guitars.
  • Limit/Compress Switch: Select between two completely different compression curves. ¡®Compress¡¯ mode is a light, subtle compression that can be used to enhance tone and even out string dynamics – the tube and photo-cell yields an extremely natural sounding compression. ¡®Limit¡¯ mode is heavier for a punchier, ¡®squished¡¯ country tone.
  • Internal Attack control: To allow bass players with high output/active pick-ups to adjust the compression response characterstic to tailor it to their needs.
  • True Bypass Switching: With Effectrode¡¯s unique ¡®anti-pop¡¯ or ¡®thump¡¯ footswitching circuitry utilising sealed, gold-contact relay to eliminate the possibility of dirty contacts degrading the sound and minimial internal audio path.
  • ¡®Proper¡¯ side-chain: A-weighted pre-emphasis in the side-chain replicates the response of the human ear and allows for heavy compression without the excessive ¡®pumping¡¯ normally associated with compressors processing low-frequency material, for much more natural and musical effect.
  • Photo-optical gain control: The gain control attenuator is based on a resistive photocell which ensures the absolute minimum of distortion is introduced (much lower than V.C.A. and F.E.T. designs). Additionally, the natural decay characteristic of the photocell produces a smooth release characteristic which always sounds pleasing and natural to the ear.
  • Works as a tube boost pedal!: The gain is about 15dBu maximum with the ¡®Peak Reduction¡¯ knob fully anticlockwise and the ¡®Gain¡¯ knob fully clockwise. This is enough to push a Tweed or Deluxe amp into breakup and overdrive territory.
  • Fitted with NOS gilded grid tube: The gold content is 5.4 mg in grids of both triodes. Military quality, ¡°OTK¡± and military rhombus signed on the body – manufactured by MELZ plant (Moscow city, Soviet Union).
  • Includes 12V Wall-wart Power Supply: High quality low-noise switched mode 12VDC at 1.5A wall-wart compatible with all our pedals. Accepts 100V to 240VAC mains input and comes with different mains outlet adaptor plugs, so there is always a plug that fits the country that you are playing in.

Electric Guitar

Shine On You Crazy Diamond (David Gilmour) – Mild compression with moderate gain and peak reduction settings. A mild compression tightens up clean tones and overdrives sound more focused and sustained. Thanks to Bjorn Riss of Gilmourish for recording this sound sample.

Sultans of Swing (Mark Knopfler) – Using light compression here to enhance and add sustain to a stock Strat. This sample was recorded direct using the the PC-2A straight into an Edirol UA-25 sound capture device. Reverb and cab sim. were added post recording using EpicVerb and Lecab VST plugins. Backing rhythm guitar, drums and bass by Dan Steenson.

Once Upon a Time in the West (Mark Knopfler) – Using subtle and light compression here to fatten and smooth out my Strat. Backing rhythm guitar is Strat with Phaseomatic on it.

Blues breakup/drive – Using the PC-2A tube compressor with ¡®Peak Reduction¡¯ knob set to zero so that the pedal works as boost to push a Fender Tweed further into drive. The PC-2A is in true bypass for the first 4 bars then I kick it in for some additional grit and drive.

Jangly Tones – Using subtle and light compression here to add some life and warmth to my Strat. This track was recorded using a stock Strat, Fender Tweed and a Palmer PDI-09 DI box.

Sex Machine (J. Brown) – Fire Bottle tube boost and PC-2A compressor together. This cool James Brown groove was recorded by Dan Steenson of Majika

Every Breath You Take (Andy Summers) – Andy Summers is an innovative composer and one of my all time favorite guitarists. Here I¡¯m using the PC-2A Compressor in ¡®Limit¡¯ mode and the Blackbird tube preamp to add a little harmonic richness and warmth to ¡®Every Breath You Take¡¯ (no speaker emulation was used). Some chorus and delay were added post recording using Kjaerhus Audio VST plug-ins.

Message in a Bottle (Andy Summers) – Using ¡®Limiter¡¯ mode to create a heavier compression. The guitar was recorded direct into soundcard – the PC-2A is so forgiving, warm and musical that I didn¡¯t see the need to use speaker emulation or run the guitar signal through an amp. A little chorus and reverb were added post recording.

Fingerstyle (electric) – Thanks to Phil Gooch for making this beautiful sound sample.

Rhiannon (Lindsey Buckingham) – PC-2A in ¡®Limit¡¯ mode with ¡®Peak Reduction¡¯ knob set at 1 o¡¯clock. The guitar is recorded direct to soundcard with no speaker emulator, preamp or signal conditioning. A little reverb was added post recording.

Binson Echorec tone enhancement – Here I¡¯m using the PC-2A comp as a tone enhancer by placing it before the input of a Binson Evo Special – a transistorised model designed by Marcello Patruno. The first four measures are with the PC-2A in bypass and the effect on the tone is very obvious when the pedal is engaged as it opens out the sound to let it breathe making a huge improvement on dynamics and clarity. Just imagine what this little tube compressor can do for your core guitar tone – it even makes tube amps sounds better!

Red Barchetta (Alex Lifeson) – Using medium compression to post Tube Drive (distortion) to smooth and level out the sound.


Rickenbacker Twelve String

Four Twelve Strings – Just having fun here at layering up tracks to create a lush wall of 12 string guitars – who needs keyboards, eh!?

Turn, Turn, Turn (Roger McGuinn) – Rickenbacker 330 12-string recorded direct via the PC-2A tube compressor pedal. This is the same process that was used to record Roger McGuinn¡¯s guitar for many of the original Byrds tracks – Rickenbacker 12-string direct onto tape via a Teletronix LA-2A tube compressor. The story goes that the sound engineer was concerned with overload damaging his monitor speakers so he insisted that guitars were run through a compressor during recording to limit any signal peaks – McGuinn loved the sustaining tone of the Rickenbacker through the LA-2A and the Byrds sound was born!

Mr Tambourine Man (Roger McGuinn) – Rickenbacker 330 12-string recorded direct via the PC-2A tube compressor pedal.

Rock ¡®n¡¯ Roll Star (Roger McGuinn) – Three Rickenbacker 330 12-strings! Recorded direct via the PC-2A tube compressor pedal. I added some reverb post recording using Kjaerhus Audio VST Classic Reverb plugin. Backing bass guitar also uses the PC-2A to add some subtle leveling and tone enhancement.


Acoustic Guitar

Fingerstyle (acoustic piezo) –

A Waltz for Leah (Adrian Legg) – A beautiful tune by Adrian Legg. Recorded live at McCabe¡¯s.

Acoustic I (Adrian Legg) –

Acoustic II (Adrian Legg) –

Clean compression –

Acoustic (Adrian Legg) –


Bass Guitar

Money (bass) – Sample recorded by Phil Shiell of BantabaX on 5-string active Status bass.

Walking on the Moon (bass) – Sample recorded by Phil Shiell of BantabaX on 5-string active Status bass.

Broken Wings (bass) – Sample recorded by Phil Shiell of BantabaX on 5-string active Status bass.

Fields of Gold (NS stick) – Sample recorded by Phil Shiell of BantabaX on NS Stick.

Once in a lifetime (NS stick) – Sample recorded by Phil Shiell of BantabaX on NS Stick.



 

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